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Eric Franklin talks about the Franklin Method Teacher Training and what you will have the chance to experience if you attend!

Learning the Franklin Method is much more than just learning about anatomy, imagery and movement. It is really a whole new experience of life. It expands our limits and pushes us to new levels of embodiment and experiences. It takes us to a fresh and dynamic understanding of how the body functions to keep us healthy and strong, and from this place we can share this with others.

The Franklin Method teacher training course provides the tools and know how to transfer this information to others so that they can also make changes in their body and mind. If you already a teacher, this will take your skills to the next level.

We can highly recommend this teacher training to all movers, dancers, lay people, teachers, movement educators, parents, yogis, pilates teachers, alexander teachers, physicists, and anyone with a body and mind!

If you would like to speak to someone to see if the Franklin Method teacher training is right for you, please call Laura directly on 917.653.8916

And please join our community and give us feedback about your experience and questions.

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Wishing you the most fantastic holiday, and enjoyable experience in your body. Using our Imagery Tree, we have some new, vibrant experiences to share with your body and mind.

We hope you enjoy and feel more embodied after watching this. Please forward it to your friends and family for a Christmas or New Year treat!

We would love to hear your experiences. Please write a comment below:

Eric Franklin, BS, BFA, founder of the Franklin Method, is a dancer, movement educator, university lecturer, and successful author who has taught at universities throughout the world including Julliard, New York University School of the Arts, the Royal Ballet School, and the Royal Danish Ballet. In 1998 he introduced the first dance therapy methodology to mainland China. His books include Dynamic Alignment through Imagery; Dance Imagery for Technique and PerformancePelvic Power for Men and WomenInner Focus, Outer Strength; and Beautiful Body, Beautiful Mind. He is the director of the Franklin Method Institute worldwide. www.franklinmethod.com

Create a fresh understanding of the way your body is designed in order to liberate your ability to move freely and create health.

This workshop with Eric Franklin, founder of the Franklin Method, will concentrate on the pelvic core and the spine, a masterpiece of design containing more than 100 joints and associated muscles and ligaments. An embodied understanding of the spine will allow you to explore all your daily movements to benefit your spinal health.
Emphasizing ease and efficiency through imagery and simple movements, you will
Experience the power of imagery, touch, and movement exercises to lengthen and balance the shoulder and neck musculature.
~Learn to melt away tension and associated mental anxiety
~Release holding patterns in the upper body by activating the pelvic floor
~Become aware of the organic causes of tightness and muscular rigidity
~Create an embodied understanding of yoga poses and how to cue them efficiently
~Experience the anatomy behind natural breathing and how it relates to yogic practices.
~You will leave with your feet firmly balanced, and your spine long and buoyant.
Note Participants are encouraged to purchase and bring a Textured Franklin Ball™ set (SKU LE9001) and a Franklin Mini Roll™ (SKU LE9002) from www.optp.com; approximate total cost is $50.
CE Credits
This program is eligible for :
8.5 credits for athletic trainers (BOC), $20 additional charge

For more info and to sign up NOW

Nicole, a yoga teacher, realizes that the words she uses in yoga class can be reshaped to assist her own body and her students’ bodies. With new language, she can help bodies move in more beneficial ways and can empower a mind body connection.

Ilana realizes the capacity of her body and all bodies for movement beyond what she thought there could be!

How do you actually create a change in the body? How do you convert knowledge into an experience and a transformation in your body? Often we know information but it doesn’t transfer into improvement in our bodies.

At Pilates on Tour in Phoenix this April, Eric presented 3 outstanding workshops- pelvis, spine and neck and shoulders where this was obvious in the dramatic transformations and excitement from all who participated.

Most of the participants are Pilates professionals and movement educators and related to Eric’s teaching methods immediately. In most cases this presented a completely new way of looking at the body, it’s function and how you create a change.

Eric’s directness and humorous teaching style created a warm and supportive environment where those present can really re-evaluate the way they themselves understand the body, function, and what they have learned.  When you learn from your own experience, and questioning what you ‘know’ the insights and awareness is profound on many levels.

Here, Eric explains the incredible design of the discs in the spine workshop.

Discs are good at carrying weight- they are designed to convert compressive force into tensile. When this is happening efficiently in our body, we experience a happy, buoyant, supportive spine  What discs don’t like is imbalanced use- or bad posture over a long period of time. For the discs to be nourished they need full movement in all possibilities, and to be used in a balanced way. You become efficient by understanding the function and then more importantly embodying this function and then you become the creator for your spine, body and life :)

by Eric Franklin

This April, I taught two workshops at the Dance Medicine Conference in Monte Carlo. It was part of the Monaco Dance Forum which brings together Dance Companies from all over the world, especially youth ballets, which were brilliant. My students were mostly dancers from Les Ballets de Monte Carlo.

I started with a general introduction to Franklin Method mental imagery. The dancers experienced easeful, expressive port de bras and how relaxed shoulders improves hip flexibility and many techniques to improve alignment without increasing tension. I then introduced the function of the pelvis and worked on the plié with the principal dancer of the company, Asier Uriagereka. He was astonished at how much his plié improved.

Another dancer complained of constant gripping in his thighs, using the Franklin Method bone rhythms he discovered how effortless it can be to perform a plié.

The dancers had many questions and are thrilled to pursue Franklin Method to transform their health and technique. To be continued…!


Krissy is a yoga teacher and is already aware of her body. After her Franklin Method class she is experiencing her body and shoulders far more relaxed and liberated.

Lydia talks about her transformative experiences with taking the Franklin Method teacher training, her body and dance.

Eric taught his first workshop for a college dance festival at the University of Wisconsin at Stevens Point. The audience was a mix between students, teachers and faculty. The students grasped the core concept from the very beginning: Embodying function improves function. We discussed the importance of efficient force absorption and generation for good dance technique and experienced the nature of the spinal spring for jumping. It seemed as if the dancers were about to bounce off the ceiling!

Lydia is experiencing her pelvis in a whole new way after learning about it in the Franklin Method teacher training. “Such a different sensation to what I was taught in ballet class”. It’s so liberating and effortless to move now!

Click here to read pdf

Victor is a dancer at Juilliard. He has been stuggling with tension and tightness in his hips. Since 2 weeks of Franklin Method, his whole body has transformed!

Hanna-Lee has ben dancing for 21 years. She experienced her first Franklin Method class at Dance New Amsterdam (DNA) in NYC with Laura Hames and feels like her whole life has changed.

WORKSHOPS FOR ALL

Franklin Method: Torso Dynamics for a Liberated Upper Back

With Eric Franklin & Morten Dither  $120
December 6, 2009 10 AM – 1 PM

The ribcage involves itself in our breath but also serves as a mediator between spine and upper limb movement. In the first part of the workshop we will discover the dynamic movement of the ribcage and its  50+ joints in breathing and spinal movement. The organic, ligamentous and muscular involvement will be explained through imagery and simple movement.

In the second part of the workshop we will explore the bone rhythms of shoulder girdle and upper limb we will experience how to successfully integrate this movement into the ribcage, spine and core of the body. This will result in greater ease of movement, improved coordination and a natural sense of core stability.

  • Understand and embody the dynamic relation of ribcage, shoulder girdle and arm to produce
  • Not all arm movement are equally fit to produce power! Learn what  a “Neutral” or closed pack arm lift is.
  • Experience the ease of motion and freedom possible of the ribcage, shoulder girdle and arm in breathing and movement.

 

Move Your Body Well–The Franklin Ball & Band Fest

With Eric Franklin & Morten Dither  $120
December 6, 2009 2-5 PM

Picture 18In this class we will learn the unique Franklin-Method approach to conditioning with imagery, balls and bands and learn exercises that will create an immediate sense of strength and flexibility. With the help of balls we will improve our balance, alignment and coordination and increase the flexibility of the shoulder, back and hip-joint. The band exercises presented in this class will improve dynamic and static strength, trunk strength, extent flexibility, dynamic flexibility as well as motor and perceptual timing. Imagery is used with every exercise to increase the efficiency by which the nervous system directs the movement helping to achieve maximum strength and flexibility gains during the conditioning routines.

Picture 12

Learn:

  • How to make your workout fun.
  • How to use dynamic Imagery in a work out routine to modulate tension level, movement quality and muscle recruitment.
  • How to use Franklin Balls and Bands to tone the whole body.

To register click here

Last week, we had the pleasure to work with 90 Cirque du Soleil cast members over two days at their home in the Bellagio theatre Las Vegas. We watched them perform in the show which was breathtaking and their talent unbelievable~ diving from 100 feet up, swinging from the high trapeze and a school of synchronized swimmers all perfectly pointed and dynamic. The show was beautifully packaged in stunning scenery, moving floors, a huge 18 foot deep pool, and moving music and theatrical expression.

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Thanks to director, Luke, the full cast of 90 acrobats, divers, trapeeze artists and syncronized swimmers in the cast of ‘O’ had the opportunity to experience an intense 4 hour workshop in the Franklin Method where they learned about their bodies and how to take care of them. It was astonishing, despite their incredible skills, that they lacked basic know-how and awareness of the function of thier bodies and how to take care of them. Eric started by asking them how they would like to end their career~ either by them deciding to do something different, or by injury. Obviously they all wanted the first, but despite that, they all expressed aches, pains and injuries in many of their body parts- especially spine, pelvis and knees.

We looked at the pelvis and spine and embodied it’s function, so that they can actually start to use it as it’s designed rather than wearing it out due to mis-use. Even though the performers can do incredible feats with their bodies, the fundamental understanding of movement and simple awareness was very compromised. It was a new perspective to be able to achieve the same movements with less stress and resistance.

In each session, we opened the second half of the workshop with teaching them how to balance their cortices. Both times, the artists were immediately more able to concentrate and be present in their bodies. they expressed feeling more centered, relaxed and present. There was a huge shift in the energy of the whole room, and they were able to stay far more present for the second section of the workshop.

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These performers do 478 shows per year, and so their schedule is incredibly intense. Even this workshop was long for them to give their time to, but the response was so positive and full of appreciation and insights. It was an honor to work with these incredible people, and we look forward to doing more work with them.

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One of their favorite parts was rolling on the Franklin balls and releasing tension all over their bodies. As they are able to give back to themselves rather than always being ‘outward’ and performing for others, they said that they started to feel the magic in their own movements again, rather than being lost in the spectacle of a magical show.

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